Kalhār (white water-lily) : studies in art, iconography, architecture, and archaeology of India and Bangladesh

Analytical Summary

"Kalhār (white water-lily) : studies in art, iconography, architecture, and archaeology of India and Bangladesh" presents a rigorous yet accessible examination of the intertwined histories, artistic traditions, and archaeological contexts of the Indian subcontinent, with a particular focus on the cultural landscapes of Bengal and adjacent regions.

Authored by Enamul Haque and Gouriswar Bhattacharya, this work draws upon decades of scholarly research to illuminate themes spanning Buddhist, Hindu, and Islamic cultural expressions. Through the symbolic centrepiece—the white water-lily or *Kalhār*—the text engages deeply with motifs found in sculpture, temple architecture, manuscript illustration, and numismatic evidence. It situates these motifs within larger religious and socio-political frameworks, revealing the evolving significance of floral symbolism in South Asian art.

The analytical approach encompasses comparative studies between archaeological findings in Bangladesh and India, cross-referencing inscriptions, stylistic developments, and iconographic shifts over centuries. While the exact publication year is information unavailable due to no reliable public source, the timeliness of the work resides in its synthesis of art-historical interpretation with archaeological evidence, offering scholars and professionals a richly layered narrative of regional cultural identities.

Key Takeaways

The book provides valuable insights that extend beyond narrow academic boundaries, offering a multifaceted lens on South Asian heritage.

Readers will encounter a nuanced understanding of how symbols, such as the white water-lily, transcend decorative function to embody theological and philosophical concepts in Buddhist and Hindu art.

Key archaeological sites in Bengal are contextualized within broader historical trajectories, underscoring the interconnectedness of regional developments with pan-South Asian trends.

The discussion integrates art history, epigraphy, and architectural study, making the text a definitive resource for professionals in these fields.

Memorable Quotes

“The white water-lily floats between worlds—earth and water—mirroring the spiritual journey across realms of existence.” Unknown

“To read the iconography of Bengal is to trace the pulse of centuries through stone, pigment, and floral form.” Unknown

“Architecture here does not merely shelter; it sings the hymns of history.” Unknown

Why This Book Matters

"Kalhār (white water-lily)" stands as a bridge between academic disciplines and cultural appreciation, redefining scholarly engagement with South Asia’s artistic and archaeological narratives.

Its authoritative analysis strengthens the corpus of research on Bengal's role in the historical diffusion of religious and artistic ideas, highlighting how regional studies contribute to global understandings of art history.

For academics, curators, conservators, and cultural policymakers, the insights presented serve as a foundation for further research, exhibition planning, and heritage conservation strategies.

Inspiring Conclusion

"Kalhār (white water-lily) : studies in art, iconography, architecture, and archaeology of India and Bangladesh" is more than a tome of scholarship—it is an invitation to journey through South Asia’s spiritual and artistic tapestry.

By embracing the depth of research and breadth of cultural insight contained herein, readers can engage meaningfully with the rich heritage of Bengal and its place within the subcontinent’s larger story. Whether you are a seasoned academic or a devoted connoisseur of art history, this work encourages you to read, share, and discuss its findings, fostering informed dialogue and renewed appreciation for cultural continuity and change.