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Cover of How to Make Art at the End of the World: A Manifesto for Research-Creation

Book guide and evaluation

How to Make Art at the End of the World: A Manifesto for Research-Creation

Natalie Loveless

English Beginner Art History
4.5 / 5

0 reviews

2019

Published

177

pages

616

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Introduction Welcome to an exploration of how art responds to, interacts with, and is informed by the crises and challenges of our times. "How to Make Art at the End of the World: A Manifesto for Research-Creation" by Natalie Loveless dives into the synergy between art, resear

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What will you get from this book?

Introduction

Welcome to an exploration of how art responds to, interacts with, and is informed by the crises and challenges of our times. "How to Make Art at the End of the World: A Manifesto for Research-Creation" by Natalie Loveless dives into the synergy between art, research, and innovative creativity, presenting a guide for those who engage in both academic inquiry and artistic expression.

Detailed Summary

The book is designed for artists, academics, and researchers who are at the intersection of artistic practice and scholarly research, what Loveless calls "research-creation." This term encompasses an interdisciplinary methodology that integrates creative and academic practices. Loveless argues that the challenges we face today, from environmental crises to socio-political upheavals, demand a reimagining of how art is conceptualized and created. She suggests that art must do more than reflect the world; it must actively engage with it, providing new ways of thinking and being.

Through a combination of theoretical discourse and practical examples, Loveless outlines the responsibilities of artists to the world. She emphasizes that research-creation is not just about producing artwork but about impacting the world meaningfully. The book also explores the academic structures that might support such hybrid practices, urging institutions to open spaces for this kind of work.

Key Takeaways

  • Research-creation involves a blend of traditional research and artistic expression, fostering new methodologies that go beyond conventional academic and artistic practices.
  • Art should not only be reflective but should also intervene in and engage with the world, pushing boundaries and offering transformative insights.
  • Institutional support is necessary for the flourishing of research-creation, requiring a rethinking of academic norms and hierarchies.
  • The role of the artist is both a creator and a critical thinker, contributing to knowledge production and societal change.

Famous Quotes from the Book

"In a world teetering on the edge of ecological and political collapse, the role of art must be interrogated, expanded, and harnessed for its potential to initiate change."

"Research-creation challenges us to rethink the dichotomies of art versus science and creation versus critique."

Why This Book Matters

In an era defined by significant global challenges, "How to Make Art at the End of the World" is an essential read for anyone interested in the power of art to drive change. Loveless makes a compelling case for a reorientation of artistic practice toward activism and interventional strategies. This book matters because it calls for a new kind of artist-researcher hybrid dedicated to addressing urgent social and environmental issues through innovative means.

The book provides both a theoretical foundation and pragmatic guidance, making it a valuable resource for educators, artists, and thinkers who see the potential of art as a force for good in the world. By advocating for research-creation, Loveless opens up a platform for dialogue and creative exploration, encouraging a generation of artists to enact meaningful change.

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